“O Romeo, Romeo! Wherefore art thou, Romeo? Deny thy father and refuse thy name.” – William Shakespeare, Romeo and Juliet, Act II, Scene II.
Well, so much for that. Clearly, Percy Romeo Miller (known in the rap world as Lil’ Romeo) didn’t heed that advice, as the Associated Press reported today that he has signed a letter of intent to play basketball at the University of Southern California.
Miller’s father is none other than hip-hop mogul and NBA training camp fixture Master P. The younger Miller is considered to be a top-15 prep point guard, according to one recruiting service.
“Getting a college scholarship is more important than winning an American Music Award, and I plan to be the best student-athlete I can be at USC,” he said.
(But a Grammy Award? Now that’s an honour.)
So a wealthy teenage rap star is going to university to play basketball. How is this not a terribly flawed plan?
Let’s see. Tours. Recording contracts. Publicity commitments. Two-a-days. Training camp. Homework? Practice. Stop me if I’m making too much sense.
Sports and music make strange bedfellows, Romeo. Just ask Dad, who attended several training camps as a non-roster invitee in hopes of catching on with an NBA club (most notably with the Raptors), but never could. Sure, you might have a step or two on the old man. Sure, you might be a prized local recruit. And sure, we know your intentions may be good.
But can this possibly work?
As nice as this story is from a public relations standpoint (kid millionaire values education and sport), how realistic is it that a. he’ll be able to put aside his rap career during the season and that b. it won’t be a distraction to the team? He’s still itching for fame and fortune, just in another kind of arena.
Miller can’t possibly dedicate enough of his time to both commitments. Either the record company complains to the school or, more likely, vice versa.
It just can’t end well. We’d like to see it work out, for both interested parties. But let’s be realistic. What do you think, Shakespeare?
“Virtue itself turns vice, being misapplied; and vice sometimes by action dignified.” – Act II, Scene III.
Last week, I had an idea. My thought process went something like this:
“I should write about changes I would make as commissioner of the NBA.”
Turns out it was great. [Scroll down a bit to read it.] But the last change I recommended (“cut the music during gameplay”) went a tad overboard. In case it was unclear, what I actually meant to propose was getting rid of the remixes of Top 40 songs during game action, not the accompanying tunes which augment and enhance the in-game experience so well. Music has always had a place in the sports world, and the coupling of jams and jocks has been a (mostly) successful marriage for decades.
So in light of this little misunderstanding, I thought I would make up for it by expressing my love for sports music in a little tribute. Here are some of the most memorable examples of music used at sporting events since the first instruments and PA systems were permitted in stadiums across the land. They aren’t ranked, because it’s an apples-and-oranges kind of thing. Different leagues, eras and contexts. Let’s get to the tunes. Enjoy.
“The Brass Bonanza” (Hartford Whalers, WHA, NHL). If you ever played NHLPA Hockey ‘93 for the Super Nintendo or Sega Genesis, you know this tune. I had this one stuck in my head for days on end back then and after listening to it again on the official “Brass Bonanza” website, the memories have been rekindled. There’s even an extended version for those hardcore Bonanza buffs. The big band sound was sorely lacking in NHL arenas until Jack Say’s gem came along, and thanks to the internet, it doesn’t have to go away.
“Take Me Out to the Ballgame”. No trip to the ballpark is complete without the time honoured seventh-inning stretch, and Jack Norworth’s 1908 composition still rings out to this day. The song has been covered by numerous bands and artists (Vince Guaraldi for the Peanuts gang, Jacqueline Schwab and Dr. John for the Ken Burns series, King Curtis and of course the parade of celebrities at Wrigley Field) but its most appealing quality is the fact that it encourages fan participation. I still remember the first time I sang it at a Major League game.
“Roundball Rock”, the NBA on NBC theme song. Just thinking about it sends shivers down your spine. Admit it. We’re all ashamed to love this tune (because it’s written by John Tesh) but it’s just too good. Watch this clip and tell me you don’t have visions of Knicks/Pacers, Bulls/Jazz or Lakers/Blazers:
I would venture as far as to say this could be the greatest non-hockey sports television theme ever. ABC elected not to buy the rights to the tune when they took over the national weekly NBA broadcasts, and nothing they have tried has come close to getting us on the edge of our seats the way “Roundball Rock” did so often. It even made its way into pop culture, when Tesh was a guest on Late Night with Conan O’Brien:
“The Super Bowl Shuffle” (1985 Chicago Bears). It was cheesy. It was contrived. It was a bunch of tone-deaf athletes making fools of themselves. But it was a glimpse at the lighter side of an intensely focused, Mike Ditka-coached machine. Give me a thousand reasons why this song/video was terrible, and I’ll give you the very same thousand for why it was tremendous. Watch it and try not to lose it when you hear the legend, Walter Payton say, “They call me ‘Sweetness’ and I like to dance/Running the ball is like makin’ romance.”
You can’t possibly keep a straight face watching punter Maury Buford (#8) playing the cowbell. It’s just not possible.
“Sweet Georgia Brown”, the Harlem Globetrotters theme. Truly a classic, this Brother Bones tune would join “Take Me Out to the Ballgame” as the first inductees into the Sports Music Hall of Fame (if such a place existed). The song’s appeal lies in its playfulness, simplicity and care-free whistling. Everyone has a Globetrotters story, and their song, like the team itself, has endured for decades.
“Gonna Fly Now”(The Rocky films). Bill Conti composed the track for the 1976 Best Picture award-winning “Rocky”, and never let us forget the title character’s rise to the top of those steps in Philadelphia (and his figurative rise to the top of the boxing world). DeEtta Little and Nelson Pigford supplied those chilling background vocals while the underdog trained mercilessly. The now famous scene, of course, climaxes with Rocky ascending the Philadelphia Museum of Art and raising his arms in victory (like I had to tell you that). This is an example of the perfect marriage between music and sports, but it’s more than that. It’s a milestone in cinematic scoring, and a truly inspiring moment we’ll never forget.
The “Hockey Night in Canada” theme. Known simply as “The Hockey Theme”, it was written by Dolores Claman (of “Ontari-ari-o” fame) in 1968. Start playing this song and I guarantee vivid childhood memories of late nights, ponds, and playoffs will start to flow. Every Canadian (every true Canadian, anyway) can hum or whistle the tune, and many have called it the nation’s “other” national anthem. Whether you’re from the Foster Hewitt or Bob Cole eras, you can’t say anything bad about this song in a crowd and expect to survive. It is beloved not only because it brings us back to those great games and memories of the past, but also because it continues to take us to new heights every time we hear it.
Those are just a few legendary musical contributions to the sports world. There are many more, and here’s hoping you thought of a few while reading this. Until next time, keep humming, whistling and singing along.
